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| Devant
Le Rampe
Etching and aquatint in colour
Alfredo Müller (Italy 1869 - 1940)
15.5 x 11.8 Image
Signed lower right
Devant La Rampe (On Stage), 1904
Two short tears to extreme margins. Very light scattered foxing.
SOLD
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The Studio was the preeminent art journal of the Arts
and Crafts movement. Founded in 1893 by Charles Holmes in London, it
promoted an equal presentation of the fine and applied arts.
The issues from the
outset of publication until roughly the turn of the century often
carried original works of art commissioned especially by The Studio.
Many new talents were showcased along with acknowledged masters.
Included in this illustrious group were Joseph Pennell, Robert Anning
Bell, Emil Orlik, August Lepere, Aubrey Beardsley, William Nicholson,
T.R. Way, Felix Vallotton and most significantly, James McNeill Whistler
who contributed five original lithographs between 1894 and 1897.
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The Seamstress
Original Colour Woodcut Vol. 20, 1900.
Orlik, Emil (1870-1932)
monogrammed in the block. An
excellent impression on wove tissue
Image Size: (6¼ x 6¼ inches)
Sheet Size: (11 1/4 x 8 inches)
Inkstamp of The Studio under the image at lower right.
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In the Park
Original Lithograph
Vol. 20, 1900.
Emil Orlik
(1870-1932)
Signed in the stone lower right with the blindstamp of
the publisher along the lower margin
Image Size: (4 1/4 X 6 1/4 inches) plus margins as
issued.
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Herodias
Original Lithograph Vol. 8, 1896.
Robert Anning Bell RA
RWS (1863-1933)
Circa 1900, Titled and signed in the plate. A very good impression
on laid paper, published by The Studio with blindstamp, lower
right.
Overall paper apprx 11" x 7-3/4 "
This lithograph is featured on the cover of
Fin de Siecle The Illustrators of the Nineties. Simon
Houfe. Barrie and Jenkins Ltd. Random Century House. 1992.
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The Patchwork Quilt
Original lithograph in colors
J. Walter West
Dated 1895, signed and titled in the plate.
A very good impression published in The Studio,
Vol. 6, 1896, with their blindstamp located lower
left.
Overall apprx 11" x 7-3/4"
The Studio was the preeminent art journal of the Arts
and Crafts movement. Founded in 1893 by Charles Holmes in London, it
promoted an equal presentation of the fine and applied arts.
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Battledore
Lithograph
Robert Anning Bell RA
RWS (1863-1933)
Dated 1896 and titled and signed in the plate.
The Studio, Vol. 10, 1897, with their blindstamp
located lower left. Overall apprx 11-1/4" x 8"
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Windy Day
Lithograph
Oliver
Hall (1869-1957)
5 3/4 x 8 1/2 inches plus
margins
The Studio, Vol. 11, 1897, with their blindstamp
located lower right. Overall apprx 11-1/4" x 8"
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Le Puy
Lithograph
Joseph Pennell (1857-1926)
American illustrator, printmaker
and writer.
The Studio, Vol. 10, 1897, with their blindstamp
located lower left. Overall apprx 11-1/4" x 8"
Wuerth No. 124.
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Windmills Near
Rotterdam
Lithograph,
Joseph Pennell
(1857- 1926)
American illustrator, printmaker
and writer.
As published in The Studio Vol.
13, 1898,
Wuerth No. 69. titled
"Timbermills, Zaandam"
Double page lithograph
with The Studio blindstamp
11 1/8 x 15 1/2
inches.
Slight fold crease as published. Very
Good.
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Eglistone
Abbey
Lithograph
Joseph
Pennell (1857-1926)
As published in The Studio
Vol. 16, 1899,
7 3/4 x 10 1/2 inches
Wuerth No. 32 titled
"Eggleston Abbey".
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Le Courrier Francais
Lithograph
Adolphe Willette
(French 1857-1926)
Signed in the Stone
11 x 8 1/4 inches
For Le Courier Francais
Circa 1900
Matted
(Only a portion of the
complete margins are shown in the scan)
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Achille
Sirouy
(French 1834-1904)
14 x 9 inches
Signed in the stone
Circa 1880
Margins not shown in scan
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| Loups
de Mer or Pecheurs de Crevettes
Colour Lithograph
Auguste Lepère
(1849 –1918)
1897-98. Paris.
Ref: Lotz-Brissonneau 245
Published by L'Estampe Moderne.
With the blindstamp of L'Estampe Moderne
(Lugt 2790) (lower RHC, covered by mat)
13 1/2" x 10"
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Jeune
Fille aux Coquelicots
ORIGINAL LITHOGRAPH 1897
Published by
“L’Estampe Moderne”
Gaston
(Charles-Guillaume) DARBOUR
French (1869 - )
111/4 x 91/2 inches
on wide margined cream wove paper at 16 x 12 inches.
The publisher’s Blindstamp in the
bottom right hand corner.Signed in the stone, upper left.
Dictionnaire de L'Estampe
en France. Janine
Bailly-Herzberg 1830-1950, Paris, Flammarion, 1985, p. 354.
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Lady
Hamilton (Emma)
Engraving with original hand colouring
T.,G. Appleton
Appleton, Thomas (Gooch)
(b Shalford, Essex, 1854; d
1924). English mezzotint engraver.
after
George Henry Boughton
(1833-1905) ARA
14 1/4 x 22 1/4 inches
1886
Margins not shown in scan
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A Maiden
Fair to See
Original Etching
Ignatz
Marcel Gaugengigl
(American 1855 - 1932)
Signed in the plate.
7 3/8 X 4 3/4 inches plus margins
Circa 1880
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