home  prints

Art Deco Pochoir

 drawings

   posters    

 

 paintings

European

Art Nouveau

Art Deco

  canadian art

Paintings

Prints

Drawings

 

   

order

showS

 

 

prints Art Nouveau / 19th Century    Art Deco / 20th Century

Art Deco Pochoir

 

    

Art Deco / 20th Century

 1   2   3 4 5 Next

  Click on the thumbnails to enlarge

 

title.jpg (104013 bytes) Emile Henry Tilmans (Belgian 1888-1960)

Original Ex-Libris Bookplates

Etchings with Aquatint

Printed c. 1935

Signed in pencil

Cream wove Arches paper

12 1/4 x 8 3/4 inches (Paper) Image sizes vary


title 1.jpg (105699 bytes) duguet.jpg (65138 bytes) eritien.jpg (237993 bytes)
T 001      8 1/2 x 5 1/2 inches   (Plate)  SOLD T 002  5 3/4 x 4 1/2 inches (Plate) T 003     4 x 5 1/4 inches  (Plate)
nude.jpg (79645 bytes) moon.jpg (217773 bytes) mairy.jpg (167931 bytes)
T 004      3 3/4 x 5 1/4 inches (Plate) T 005   5 1/4 x 4 inches (Plate) T 006      5 x 7 inches (Plate)
diana.jpg (282280 bytes) genst.jpg (199933 bytes) nude leon.jpg (229370 bytes)
T 007      3 x 4 inches (Plate) T 008     5 3/4 x 4 1/2 inches (Plate) T 009           5 x 5 1/2  inches (Plate)
 
 

  Click on the thumbnails to enlarge

 

Les Raccommodeurs de Chaise [The Chair Repairers] 

Drypoint Etching

August Brouet (French 1872 -1941)

 6 5/8 X 8 5/8 inches 

Signed  and numbered in pencil.  A fine print in fine condition with full margins.

 Reference: Geffroy 237

275.00

brouet gyp.jpg (278769 bytes)

Les Raccommodeurs de Filets (The Net Menders)

Etching

August Brouet (French 1872 -1941)

 6-5/8 x 8-9/16" ( image) on antique-white laid Arches paper with a partial watermark with full margins

60/100 plus 10 artist's proofs

Signed  and numbered in pencil.  

 Reference: Geffroy 213

275.00

brouet ca.jpg (256858 bytes)

Porta San Zaccaria, Venice

Etching

Hedley Fitton (English, 1859 - 1929)

10-5/8 x 12-3/4 inches

Signed in pencil

Circa 1902

Framed

Sold

fitton copy.jpg (391566 bytes)

Ch. San Michele

Etching

Ernest David Roth (American 1879 - 1964)

12 x 7 7/8 inches

Titled at extreme lower left margin

Signed and dated (1912) in the plate

Signed and dated (1912) in pencil

Please see additional information.

SOLD

 

roth.jpg (255910 bytes)
Butter Cross, Winchester

Drypoint/Etching

Nathaniel Sparks (English 1880-1956)

10 x 10 inches

Signed in pencil lower right

Please see additional information.

250.00

 

sparks.jpg (120516 bytes)

St. Paul's Christmas Eve

Etching

Richard George Mathews (British 1870-1955)

15 x 9 1/4 inches

Signed in pencil lower right

Numbered 54/100

Titled at extreme lower left margin

325.00

mathews.jpg (130735 bytes)

Morning Swim

Etching

Joseph Uhl (New York 1877 - Bergen 1945)

11 1/2 x 8 inches Signed in pencil lower right

Born in New York, Joseph Uhl moved to Germany at an early age. At the Academy of Munich, he studied painting and etching. As the First World War ended, Uhl who up to that time had concentrated mainly on painting, began to create etchings and engravings of children, nudes, general figure studies and allegorical images. His work in this genre owes much to the German Jugendstil movement.

375.00

uhl.jpg (162102 bytes)
Loch Lomond

Etching

John Fullwood F.S.A (British 1854 - 1931)

Signed in the plate, lower left

Signed and titled in pencil

8 1/9 x 13 3/4 inches on cream wove paper with a partial watermark.  Full margins

A landscape painter, illustrator and etcher who was educated in Birmingham and studied in Paris. He was a member of the R.B.A. and exhibited from 1874. His paintings were displayed at the Royal Academy on 21 occasions and by the Royal Society of British Artists on 99 occasions. From about 1874 to 1900 he was based in Birmingham and lived in Broad Street. He displayed no less than 67 paintings at the Royal Birmingham Society of Artists exhibitions.

150.00

fullwood.jpg (152709 bytes)

Luxuria

Etching

Gayac (French Late 19th early 20th centuries)

Gayac is renowned for his lightly erotic 1920's paintings that were reproduced and issued as postcards. His style in this medium anticipated the "Pin-up Girl"

His early work was reproduced in the late 19th centuries in such periodicals as Paris's Le Rire.

His original etchings, of which this is a superlative example, are much scarcer and evidence a much darker symbolist style.

Overall age toning. Otherwise excellent.

450.00

gayac copy2.jpg (100925 bytes)

Size: 16 3/4 x 11 3/4 inches

Plate Size: Approximately 13 1/2 x 10 1/4 inches

Signed, titled and dated (9-1920) in the plate. Signed and numbered 29/30 in pencil.

La Terrasse ou La Madone de Fiesole

Lithograph

Maurice Denis [French 1870-1943]

6 1/2 x 9 1/2 inches

Signed and dated in the stone (1923)

Second State Ref PC 142

425.00

Click here for an additional print by this artist

denis children.jpg (326997 bytes)

Belles Toutes les Fees qu'on put trouver dans pays

Drypoint Etching

Etienne Drain (French 1885– 1961)

From

La Belle au Bois Dormant (Sleeping Beauty)

Contes de Perrault

Paris. 1922

10 1/2 x 8 inches. Signed in the plate

275.00

belles  toutes les fees quon put trouver dans pays.jpg (403850 bytes)

"Gateway"

 Etching

Luigi Kasimir (Austria 1881 - 1962)

5 x 3 3/4 inches. Signed and titled in pencil

Circa 1920

100.00

 

kasamir gate.jpg (255331 bytes)
La Chouette 

(The Owl)

Lithograph

Louis Bailly (French painter and illustrator 20th c.)

Ressemblances

Circa 1925

Matted with a small image of an owl.

175.00

chouette.jpg (101491 bytes)

 

 

Bleu Blanc Rouge. Dessins de Paul Iribe. Plaquette Nº 3. France. (1932).

Paul Iribe (1883 -1935) 

 12 3/4 x 10 1/4 inches

March 1932

[Volume 3]: (2 blank), (17), (1 blank) pages [24 cm]. One full-page and 4 double-page black & white illustrations and one in color tipped in. Blue, white and red [the tricolore] paper covers with large "N" in white.

Volume 3]: The shots fired here are aimed not only at the USA but other countries as well. The entire text consists of captions for the illustrations. The first shows a line-up of the four bad guys – 45° vodka, a beer stein, old whisky, and blue rock mineral water, with the caption "at this time the world is getting drunk on terrible poisons." The first double illustration is of the USSR sweeping out grain and oil, captioned "Utopia" and "Dumping." Next comes Germany with an illustration of factories on a river flowing with dollars and pounds, captioned "Mechanization" and "The gold of the Rhine." Third is Britain, with a floating crate labelled "Buy British" and a drowning banker clutching £100 notes, captioned "Imperialism" and "Freedom of the Seas." Fourth is the USA, with gun-toting skyscrapers, captioned "Megalomania" and "the Arbiter of the World." Finally there is France, in color, on a blue sky background, showing a farm family at dinner with a bottle of wine, captioned "But when you drink wine you don't lose your head."

250.00

 

irube bbr copy.jpg (139574 bytes)   arbitre.jpg (174471 bytes)

One panel of double page lithographs shown

british.jpg (119458 bytes)            ussr.jpg (165775 bytes)

iribe2page copy.jpg (146983 bytes)

The illustrator and cartoonist Paul Iribe (Angoulême 1883 - Menton 1935) was editor during the war of [19]14 of the famous magazine Le mot whose contributors included Dufy, Sem and Cocteau. He illustrated a number of periodicals, L'Assiette au beurre, Le Canard sauvage, le cri de Paris.

Chiefly remembered for the extraordinary work he did for Paul Poiret, his tremendously eclectic output included jewelry and fashion design, art direction, ( Hollywood in the 20’s ), and his forte, illustration. The latter combined with his skills as a caricaturist and cartoonist served him admirably as the publisher and chief illustrator of the magazine “Le Mot”. Collaborating alongside such illustrious contemporaries as Sem, Dufy and Jean Cocteau, Iribe often directed his considerable talents to wickedly pointed, social and political satire.

 

Condition

Spine and edges slightly bumped with minimal wear. Interior very clean. VG+

 

 

Art Deco / 20th Century

 1   2   3 4 5 Next

 

Note: Please keep in mind the limitations of your computer monitor when viewing items that I have posted. The works have been photographed and / or scanned at relatively low resolutions in order to both conserve file size and in response to the limitations inherent in your viewing screen. I endeavor to present all works as accurately as possible, however slight colour shift and loss of clarity is inevitable.

 

prints Art Nouveau / 19th Century   Art Deco / 20th Century Art Deco Pochoir  
 
  home  prints

Art Deco Pochoir

 drawings

   posters    

 

 paintings

European

Art Nouveau

Art Deco

  canadian art

Paintings

Prints

Drawings

 

   

order

shows